But (Hester) is non the protagonist; the chief actor, and the tragedy of The chromatic garner is not her tragedy, but Dimmesdales. He it was whom the sorrows of death encompassed..... His overt vindication is one of the noblest climaxes of tragic literature. This statement by Randall Stewart does not call for the same ideas that I believed were contained within The Scarlet Letter, by Nathaniel Hawthorne. I, on the contrary to Stewarts statement, think Dimmesdale is a coward and a hypocrite. Worse, he is a self- knowledgeed coward and hypocrite. He knows what he has to do to keep tacit the voice of his conscience and make his peace with God. Throughout the spick-and-span chronicle his confession remains an obstacle . While Hester is a relatively constant character, Dimmesdale is incredibly dynamic. From his fall with Hester, he moves, in steps, toward his public hint of sinning at the end of the novel. He tries to unburden himself of his sin by revealing it to his congrega tion, but in rough way can never quite cause this. He is a typical diagnosis of a wuss. To some extent, Dimmesdales story is one of a single homosexual tempted into the depths of the hormonal world. This world, however, is a place where the society treats sexuality with dizzy grace.
But his line of work is enormously complicated by the fact of Hesters marriage (for him no technicality), and by his own characterisation of himself as a churchman devoted to higher things. unalike other young men, Dimmesdale cannot support his loss of innocence and go on from there. He must struggle futilely to detect back to where he was. lacerate between the desire ! to confess and atone the cowardice which holds him back, Dimmesdale goes meagrely mad. He takes up some morbid forms of penance-fasts and scourgings-but he can... If you take to get a secure essay, order it on our website: OrderCustomPaper.com
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